A world which is driven through the innovation, the untamed, and the one that can be renewed at once, there arises a silent philosophical tale which brings the perception that dresses are not limited to transient declarations but are living caricatures. The Absent Finding ethos are not limited to the having the identity of clothes to be tame and clean. They are designed to be utilized, reused, worn out and to be stained with the passing days. Every creative artifact becomes a library, which have no spectacle but only through the use they became a piece of memory.
Clothing That Remembers
Garments tend to live near are bodies and diminishes the ideology that they must be preserved. They inhabit with the motion, posture, weather and habit of the wearer. Where the hand rest it gives birth to a crease. Where the body bends it places the fabric to be softened. These are not changes which brings faults in the fabric but are evidence of the likeability of the wearer. The philosophy of Absent Finding is distinct from the concept of perfection. The brand doesn’t armor the clothes with ethos of only wearing rather it allows the material to sink in with the changing time. Use of deadstock fabric, linen, cotton twill, and denim are not restricted to choice of durability but is inclined in the way of their aging with time, they ponder upon the fact that how precisely they keep track of time and do all of this without any falsehood or fuss.
Material as a Carrier of Memory
Every fabric sings the tale of the significant past. The choice of material by Absent Finding is rational and emotional which contemplates with each story of the cloth. The clothing through Unmoved fabric is a reminder of austerity and recycling and the homage to heirloom give regards to generational and continuity. The clothes take their turns through everyday existence which helps in giving the essence of superimposed documentation to the garments, which are nor composed with ink or gel but with feel. Not acquainted with seasons but touched with repetition.
Repetition as Meaning
History entails its footprints through permanence and eliminates its path through newness. When one trouser is worn through numerous instances, the jacket is picked every time through feel than these repetitions contemplate the intimacy of dressing. Absent Finding works forward in providing the silhouettes the feel to revert to the memory rather than just turning to pages. Homogeneous shapes, loose tailoring and flexible shapes promote familiarity as opposed to performance.
These clothes are also in motion, unlike the archives that are stored behind glass. They move in urban areas, accumulate dust, carry warmth, and adapt to the shifts in routines. They are not valuable in preservation, but in participation. Wearing Absent Findings is to believe that clothes are not made when you buy them, but that they are made gradually, by wearing. Every single piece of clothing is evidence that what we put on a daily basis can silently carry our identities, our past and our future.
